In this ongoing series, I am interested in how drawings can be made to prolong the experience of seeing, so that the experience of seeing extends into time and time into memory. To fully see one of these multidimensional drawings, either the drawing or the viewer must move. In either case, the drawing, like architecture, must become an artifact of memory to be seen as a whole.

 

In this series of working drawings, I use operable frameworks to allow drawing compositions to change and become spatial, or to redact portions of the image to invite bodily movement and investigation. All are investigations into extending the experience of seeing.